Ocean's 11«treffen»Das dreckige Dutzend«: George Clooney hat mit»Monuments Men«einen unbedarften Kriegsfilm um die aufrechten. Insofern ist die Auswahl von George Clooneys neuer Regiearbeit Monuments Men eine absolut logische und folgerichtige Entscheidung. Filmkritik zu Monuments Men. Clooney rettet im Zweiten Weltkrieg Kunstschätze vor Nazis und Sowjets und erinnert uns daran, dass die.
Monuments Men – Ungewöhnliche HeldenIn George Clooneys "Monuments Men" retten die Amerikaner von Nazis geraubte Kunstwerkec – und nebenher auch die gute alte. Filmkritik zu Monuments Men. Clooney rettet im Zweiten Weltkrieg Kunstschätze vor Nazis und Sowjets und erinnert uns daran, dass die. Ein Schatzsuche-Roadmovie quer durch Nazi-Europa -was für eine Story! Wenn "The Monuments Men" von George Clooney heute bei der.
Monuments Men Kritik The Real-Life Story Behind “American Sniper” VideoMONUMENTS MEN Trailer Deutsch German \u0026 Kritik Richard Campbell. Preston Savitz Dimitri Leonidas The Monuments, Fine Arts, and Archives program is the subject of the Jewgeni Zyganow Pictures and 20th Century Fox film The Monuments Men. Average rating 3.
500 Millionen US-Dollar in fnf Jahren zu waschen - vor dieser Oralsex Wikipedia steht Marty Byrde Monuments Men Kritik er sich mit der Drogenmafia eingelassen hat. - Aktuell im Streaming:Schwupps, fährt die Madonna im Armee-Laster davon.
In The Monuments Men , words speak louder than action. Having proved his directorial mettle with the likes of Good Night, and Good Luck and The Ides of March , which exhibited a Redfordian blend of entertainment and education, Clooney remains dedicated to the principle of making populist movies that mean something.
With its A-list cast, handsome historical setting and clearly defined humanist argument, this ought to be a treat and there is indeed plenty to smile about: Bill Murray and Bob Balaban's odd-couple shtick; John Goodman 's gruff avuncularity; Jean Dujardin 's thousand-yard smile; Clooney's dashing presence, with hair, 'tache and twinkle channelling Clark Gable.
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HISTORY Podcasts. History at Home. Retrieved March 28, Retrieved November 18, Monuments Men Foundation for the Preservation of Art.
Retrieved March 5, Studio Babelsberg. March 6, Retrieved February 28, Deutscher Filmförderfonds.
January 6, Archived from the original PDF on March 21, Retrieved March 20, Bundesregierung - Federal Republic of Germany. January 24, Archived from the original on August 16, Retrieved February 14, November 8, Retrieved January 25, Babelsberg Studios press release.
January 26, Retrieved September 8, Archived from the original on October 29, Retrieved May 30, BBC News. June 4, Retrieved June 5, Retrieved August 8, Retrieved November 15, The Wrap.
October 23, Retrieved January 30, Retrieved October 23, Archived from the original on December 15, Retrieved November 17, Hall Executive Producer.
Phedon Papamichael Cinematographer. Jim Bissell Production Design. Stephen Mirrione Film Editor. Alexandre Desplat Original Music.
Parental Guidance: The Lego Movie , Vampire Academy and Monuments Men , Plus Free Birds. January 2, Full Review…. September 26, Full Review….
June 18, Full Review…. September 22, Full Review…. September 17, Rating: 2. August 13, Full Review…. April 27, Full Review….
View All Critic Reviews Feb 24, Underrated feel good buddy comedy that has some older Allied gents trying to save art masterpieces from the clutches of greedy opportunistic Nazi types.
While uneven this Clooney love child has it's moments. Kevin M. W Super Reviewer. Mar 30, The premise is fun, making you think of 70s WW2 caper movies.
I don't know how they managed to combine such a fantastic cast and yet make every single character and actor feel underused. The decision to split up the team didn't help.
The direction and look of the film are great and there are glimpses of what could have been. But the plot remains somewhat undecided, sometimes hinting at the terrors of war while being entirely unexciting at the same time.
Entertaining but also a missed opportunity. Jens S Super Reviewer. Jun 05, Not bad. I know the point that this film is trying to make, but I don't agree.
I feel that art is very valuable, especially in a cultural sense, but most art is definitely not worth the risks that the characters go through in this film.
The Monuments Men argues that many human lives, potentially losing battles to the Nazis, and almost stirring up conflicts with the Russians are all worth it if you can save a few pieces of art.
Hell, one of the characters dies saving a fucking painting. This is where I didn't get the movie. You're going to honestly tell me that an old piece of canvas with paint on it is worth risking human lives over?
Fuck no. It's not even like they were trying to save the Mona Lisa or the statue of David or something, though it doesn't make much of a difference to me.
Okay, rant over. Anyway, this is a decent film, despite all the stupid points it tries to get across. It's to be held up and admired. Or at least that's the struggle of the hero in the titular film inspired by the events: Frank Stokes George Clooney , a curator at Harvard's Fogg Museum, goes back to the Army to head a small art recovery contingent 7—most out of shape and aging like John Goodman , with echoes of the Magnificent Seven and Dirty Dozen recruiting sequences, promising exceptional wit and action that doesn't materialize.
Why is such a high-concept plot lost in a February opening? Possibly because it's enjoyable but not remarkable, a pastiche of brief episodes not always connected to the plot's central vision shooting at a German sniper youth thought to be an adult?
The episodes may be meant to establish character while sliding over them to chronicle a not always interesting path to the mines and castle where the Nazis have hidden the loot.
At least the studio had the good sense not to pit this modest adventure against, say, American Hustle or 12 Years a Slave in the Oscar prelims in November and December.
The action picks up as they find the destinations, but along the way James Granger Matt Damon interacts with Claire Simone Cate Blanchett in a low-key romance that finds great art but small love.
Changing Claire from the original monument woman Rose into a love-seeking operative angers some historians. Another concern besides history and coherence is tone: Reverence for the mission clashes with the jokey camaraderie of old-fashioned WWII movies.
It is a delight to hear the names of artists like Picasso and Rembrandt even though they had little influence on the film's fair-to midlin' screenplay penned by Clooney and Grant Heslov.
Looking for Michelangelo's Madonna of Bruges and van Eyck's Ghent Altarpiece is definitely grand, but the grandeur is not matched by the screenplay.
As for directing, Clooney misses the sharpness of his Good Night and Good Luck while he helms here what seems a small story about an odd group of soldiers struggling to rise to the occasion of history's greatest art reclamation.
It's an enjoyable film but not a great one. All Titles TV Episodes Celebs Companies Keywords Advanced Search. Sign In. Get a sneak peek of the new version of this page.
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